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伊斯法罕羊毛絲毯
產(chǎn)地：伊斯法罕（波斯中部）
年代：約1940年
材質(zhì)：羊毛、真絲、棉
尺寸：450×311cm
出版：《伊斯蘭東方手織工藝地毯》，第35頁，圖版65，SH.SAMEYEH PTE LTD，新加坡，1993年。
AN ISFAHAN WOOL SILK CARPET
Origin: Isfahan, Central Persia
Age: circa 1940
Medium: Wool, Silk, Cotton
Size: 450×311cm
Illustrated: Islamic Art Hand Knotted Oriental Carpet, SH SAMEYEH PTE LTD, Singapore, 1993, p.35, pl.65.
RMB: 280,000－350,000
伊斯法罕地毯在巴列維王朝（1925-1979）達到了一個巔峰，尤其是極為精湛的打結(jié)技術(shù)，是此前任何一個朝代都無法企及的。我們眼前這條極其精美的地毯就充分說明了這一點。該毯選用了伊斯法罕最優(yōu)質(zhì)的羊毛和天然絲線，如此精良的材料通常只用于小型地毯，像這樣尺幅巨大的地毯并不多見，其珍貴程度自不待言。
從圖案設(shè)計來看，該毯延續(xù)了伊斯法罕的典型風(fēng)格——以白色為底面，中央繪有藍色和灰色為主色調(diào)的中心葵圖案，周圍裝飾著以“阿巴斯王”命名的花卉圖紋，疏密有間，細致入微，體現(xiàn)了一種典雅高貴的視覺美感。含蓄的主邊界包圍在四條小花邊中，與主面板形成了鮮明的色彩對照。
整條地毯品相極佳，適合鋪設(shè)于客廳、臥室，亦可收藏和投資。
The high quality of design and craftsmanship embodies the timeless characteristics which exercised a decisive influence on their successors. The well balanced natural vegetable dye colours depend on their vitality for the contrast of clearly delineated matching shades but the key to the whole lies in the harmony of well-judged proportions.
A complex dark blue medallion of superimposed sixteen point ornaments is a far more coherent in construction than most of the Isfahan medallions; its graphic clarity ensures a focal role against the cream field in which a spiral stem in ivory binds together in an ornate yet excellently spaces floral and foliate design. This excellent example woven in 1940 is in excellent condition.
《伊斯蘭東方手織工藝地毯》，新加坡，1993年出版。